The instrument with the item number: 1501-KUE from the Küng workshop is a recorder that is always fun to play. This is largely due to the masterful combination of the ingenious design in symbiosis with the sound characteristics of the pear wood material used. This material makes a strikingly pleasant impression on the instrument thanks to its special advantages. The special features can best be described in the following words: Pear wood: Soft, choral sound. Suitable for playing in a group. The scale The inner bore of the instrument is slightly cylindroconical. This type of bore gives the instrument its typical sound. In principle, recorders with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than instruments with a narrower bore. What music is the recorder best suited to? Pearwood is particularly suitable for recorders that are used primarily for choral playing, recorder ensembles and orchestras, although other styles are possible. Who this instrument is aimed at This means that pearwood recorders are particularly suitable for ambitious amateurs and advanced players. Another important rule is that a better instrument generally makes music-making less complicated than a cheaper one. The windway of a recorder The windway is the area in the head of the instrument where the musician's breath is moulded into a sheet of air. This air blade is one of the most important elements of a recorder's sound. In interaction with the labium, the air blade creates the vibration that generates the flute sound. The shape of the windway is therefore one of the defining principles for influencing the available sounds of the recorder. The windway of the Küng 1501-KUE recorder is constructed as follows: Straight, conical.Conical windways accelerate the airflow more than cylindrically shaped ones. Due to their geometric design, windways are very complex and many parameters are influenced by each other. Fingering The Küng 1501-KUE model is supplied with the following fingering: Baroque double hole. Construction of the body The construction of a recorder has an extraordinary influence on the way in which the woodwind instrument can be handled easily and transported safely during daily use. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments. Just ask veteran ensemble leaders. Packaging and accessories The instrument is supplied as standard with a bag and the appropriate accessories: Wiper rod, fingering chart, care instructions Hygiene tips If the recorder is used by several players, it is advisable to sterilise the blowing area if necessary to ensure hygienic safety. The product Flautisept has proven to be effective for this purpose. Flautisept is available in our collection. It works with the following surfaces: RESONALacquered surfacesLacquered surfacesLinseed oil surfacesABS plasticsSpirit-stained surfacesUntreated wood surfacesWaxed surfaces However, before using the product, test it on an inconspicuous area to ensure that it does not leave any discolouration on your recorder. Optional information on keys It is not always possible to drill tone holes in places that are comfortable and easy to play with your fingers. Particularly on low instruments, some tone holes are ergonomically inaccessible for acoustic reasons. Keys are fitted to these instruments to make playing much easier or even possible in the first place. The 1501-KUE instrument has the following keys: . This means that it can also be played comfortably by players with smaller hands. Tips for finding a new instrument How to find a future instrument easily Seek expert advice! However, don't let "expert" opinions put you off testing a recorder yourself. Your taste is as unique as you are. Therefore, only you can decide which wind tunnel shape inspires you personally. Our recommendation is therefore: Try out different designs that you have never tested before. You can't lose anything, you can only gain new experiences.

The instrument with the model number: 1502-KUE built by Küng is an instrument that gives lasting pleasure in daily use. The instrument owes this characteristic mainly to the skilful combination of the special model design in fine tuning with the expressive possibilities of the maple material used. The special qualities of the material used for this instrument are striking. The special characteristics can be described as follows: Maple: Warm and clear, slightly thinner than pear wood. The scale The geometry of the inner bore of the recorder is slightly cylindroconical. This type of bore gives the recorder its typical sound. In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than models with a narrower inner bore. Which musical styles can the recorder be used for? Maple is ideal for recorders that are used primarily for choral playing, recorder ensembles and orchestras, other styles are also possible. Who this instrument is aimed at It follows from the above that maple recorders are particularly suitable for ambitious amateurs and advanced players. A rule of thumb to bear in mind is that a high-quality instrument generally makes learning less complicated than a seemingly inexpensive offer. The windway of a recorder The windway is the area in the recorder head where the musician's breath is moulded into a sheet of air. This air blade is one of the most important elements in the sound production of a recorder. At the labium, the air blade generates the vibration that is fundamental to the flute sound. The shape of the windway is therefore one of the defining principles for the artistic usability of the recorder. The windway of the Küng model 1502-KUE is shaped as follows: straight, conical.Conically shaped windways accelerate the air blade more than cylindrical ones. Windways are of course extremely complex in their geometric shape and many parameters interact. Fingering The Küng 1502-KUE instrument is made in fingering: Baroque double hole. Multi-piece construction The way in which a musical instrument is constructed has an extraordinary influence on the way in which the recorder is handled in terms of ease of assembly on the one hand and ease of transport on the other. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments. Just ask veteran ensemble leaders. Packaging and accessories The recorder is supplied as standard with a bag and matching accessories: Wiper rod, fingering chart, care instructions Hygiene tips If the instrument is played by several people, we recommend that you repeatedly sterilise the windway to keep it clean. Flautisept has proven to be a reliable aid here. You can find Flautisept in our collection. It works with the following surfaces: ABS plasticsLacquered surfacesWaxed surfacesRESONAGlazed surfacesSpirit-stained surfacesUntreated wood surfacesLinseed oil surfaces However, before using the product, test it on an inconspicuous area to ensure that it does not cause any adverse changes to your recorder. Optional information on keys Tone holes cannot always be drilled in places that are easy to reach with the fingers. Particularly on low instruments, tone holes are not ergonomically accessible for acoustic reasons. On these instruments, keys are fitted by the instrument maker to make playing much easier or even possible in the first place. The 1502-KUE instrument has the following keys: . This means that it can also be played ergonomically by players with smaller hands. Advice on the way to a new recorder How to find your future instrument easily Find out all you can! However, you should not let the opinions of "self-proclaimed experts" put you off testing an instrument yourself. Your musical perception is as unique as you are. Therefore, only you can decide for yourself which instrument concept makes you happy. Our recommendation is therefore: try out different designs that you may never have tested before. You can only gain experience.

The instrument with the model designation: 1511-KUE from the Küng workshop is a musical tool that is always fun to play, both in the classroom and on stage. This characteristic is largely due to the clever combination of the special model in fine tuning with the sound characteristics of the pear wood material used. The special sound characteristics of this instrument are strikingly pleasing. The special features can be summarised as follows: Pear wood: Soft, choral sound. Suitable for playing in a group. The scale The inner bore of the recorder is slightly cylindroconical. This type of bore gives the model its typical sound. In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than recorders with a narrower inner bore. Which musical styles can the instrument be used for Birnbaum is excellently suited for recorders focussing on choral playing, recorder ensembles and orchestras, other styles are possible. Who the instrument is aimed at This means that pearwood instruments are particularly suitable for ambitious amateurs and advanced players. Another generally applicable rule is that a higher quality instrument generally makes playing together more enriching than a poor one. The windway of a recorder The windway is the area in the head of the instrument where the blowing air is moulded into a sheet of air. This air blade is the nucleus of a recorder's sound. In interaction with the labium, this air blade creates the vibration that generates the flute sound. The shape of the windway is therefore one of the defining principles for influencing the available sounds of the recorder. The windway of the Küng 1511-KUE recorder is constructed as follows: Straight, conical.Conical windways accelerate the airflow more than cylindrically shaped ones. Windways are of course extremely complex in their geometric shape and many parameters are influenced by each other. Fingering The Küng 1511-KUE recorder is made in the fingering: Baroque double hole. Construction method The construction of a woodwind instrument strongly influences the way in which the recorder is handled during daily use, both in terms of ease of assembly and compact transport. A point that becomes particularly important when transporting larger or multiple instruments. Just ask veteran ensemble leaders. Packaging and accessories The instrument is supplied as standard with a bag and useful accessories: Wiper rod, fingering chart, care instructions Hygiene tips If the instrument is lent out frequently, it is advisable to clean the beak area sterilely if necessary to maintain cleanliness. Flautisept has proven effective for disinfection in these cases. Flautisept is available in our collection. It works with the following surfaces: Spirit-stained surfacesLinseed oil surfacesGlazed surfacesABS plasticsRESONAUntreated wood surfacesWaxed surfacesLacquered surfaces However, before using Fautisept, be sure to test it on an inconspicuous area to ensure that it does not leave any discolouration on your recorder. Optional information on keys It is not always possible to drill tone holes in places in the instrument that are comfortable to play with your fingers. On bass instruments in particular, tone holes are not ergonomically accessible for acoustic reasons. Keys are fitted to such instruments to make playing much easier or even possible in the first place. The 1511-KUE instrument has the following keys: . This means that it can also be played with above-average ease by players with smaller hands. Notes on the way to a new recorder How to easily find your next instrument Find out all you can! Under no circumstances should you let well-intentioned advice put you off testing a recorder yourself. Your musical perception is as unique as you are. Therefore, only you can decide which instrument concept inspires you personally. Our recommendation is therefore: try out different brands that you have not yet tested. You can't lose anything, you can only gain experience.

The instrument with the model designation: 1581-KUE built by Küng is a musical tool that is tireless fun to play. The instrument owes this characteristic mainly to the masterful combination of the unique model design in combination with the expressive possibilities of the pearwood material used. The material used for this instrument impresses with its special sound characteristics. The special features can be characterised as follows: Pear wood: Soft, choral sound. Suitable for playing in a group. The scale The inner bore of the instrument is slightly cylindroconical. This type of bore gives the instrument its typical sound. In principle, recorders with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than instruments with a narrower bore. For which musical styles can the instrument be best used? Birnbaum is ideal for recorders that are mainly used for choral playing, recorder ensembles and orchestras, other styles are possible. Who is this recorder aimed at? The above facts show that pearwood recorders are particularly suitable for ambitious amateurs and advanced players. Another rule of thumb worth noting is that a better instrument usually makes learning less complicated than a simple one. The windway of a recorder The windway is the area in the headjoint of the recorder where the musician's blowing air is moulded into a sheet of air. This air blade is one of the most important elements of the instrument's sound. At the labium, the vibration that generates the flute sound is created from this air blade. The shape of the windway is therefore extraordinarily influential on the instrument's range of musical expression. The windway of the Küng model 1581-KUE is shaped as follows: Straight, conical.Conically shaped windways accelerate the breath more than cylindrical ones. Windways are naturally complex in their design and many parameters interact. Fingering The Küng 1581-KUE recorder is made in the following fingering: Baroque double hole. Multi-part construction The construction of a musical instrument has an extraordinary influence on the way in which the recorder is handled in terms of ease of grip and safe transport. This is particularly important when larger or multiple instruments are taken along. Leaders of large playing groups will agree with us. Packaging and accessories The recorder is supplied as standard with a bag and the following accessories: Wiper rod, fingering chart, care instructions Hygiene tips If the recorder is borrowed frequently, it is advisable to sterilise the headjoint if necessary to protect yourself. Flautisept has proven to be a good cleaning agent. Flautisept is available in our collection. It works with the following surfaces: RESONA, spirit-stained surfaces, linseed oil surfaces, varnished surfaces, ABS plastics, varnished surfaces, waxed surfaces, untreated wooden surfaces However, before using Fautisept, be sure to test it on an inconspicuous area to ensure that it does not cause any discolouration on your instrument. Optional information on keys It is not always possible to place tone holes in places that are easy and comfortable to play with your fingers. Especially on larger instruments, some tone holes are ergonomically inaccessible for acoustic reasons. On such instruments, keys are fitted by the instrument maker to make playing easier or even possible in the first place. The 1581-KUE instrument has the following keys: . This means that it can also be played ergonomically by players with smaller hands. Notes on the way to a new recorder The easiest way to find your next instrument Seek expert advice! However, you should not let "universal" rules stop you from playing a recorder yourself. Your musical sensibility is as unique as you are. Therefore, only you can decide which instrument concept suits you best. Our recommendation is therefore: test different brands that you have never tried before. You will only gain new experiences.

The instrument with the model number: 1503-KUE manufactured by Küng is a recorder that provides lasting enjoyment in daily use. This characteristic is due to the special marriage of the above-average construction concept in combination with the tone colours of the cherry wood used. This material fascinates with its special advantages. The characteristics can be described as follows: Cherry wood: Light and elegant sound. The scale The inner bore of the recorder is slightly cylindroconical. This type of bore gives the recorder its typical sound. In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than models with a narrower scale. What music can the instrument be best used for Cherry wood is ideal for instruments that are used primarily for choral playing, recorder ensembles and orchestras, other styles are also possible. Who this recorder is aimed at This means that instruments made of cherry wood are particularly suitable for ambitious amateurs and advanced players. An additional important rule of thumb is that a more sophisticated instrument naturally makes learning progress more enjoyable than a supposedly cheaper one. The windway of the recorder The windway is the area in the headjoint of the recorder where the blowing air is moulded into an air blade. This air blade is one of the most important elements of a recorder's sound. In interaction with the labium, this air blade creates the vibration that generates the flute sound. The shape of the windway is therefore extremely relevant for the response and sound of the recorder. The windway of the Küng 1503-KUE instrument is constructed as follows: Straight, conical.Conical windways accelerate the breathing air more than cylindrically shaped ones. Windways are very complex in their design and many parameters interact. Fingering The Küng 1503-KUE instrument is made in fingering: Baroque double hole. Multi-piece construction The construction of a recorder with multiple parts has an extraordinary influence on the way in which the woodwind instrument is handled in everyday use, on the one hand making it easy to grasp and on the other hand making it convenient to transport. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments. Experienced ensemble players can tell you a thing or two about this. Packaging and accessories The model is supplied as standard with a bag and the following accessories: Wiper rod, fingering chart, care instructions Hygiene tips If the recorder is played by several people, it is advisable to sterilise the blowing area if necessary to prevent the transmission of diseases. In these cases, Flautisept has proven its worth. Flautisept is available in our collection. It works with the following surfaces: Untreated wooden surfacesLacquered surfacesABS plasticsLacquered surfacesRESONALinseed oil surfacesWaxed surfacesSpirit-stained surfaces To be on the safe side, test on an inconspicuous area before use to ensure that Fautisept does not leave any adverse changes on your instrument. Optional information on keys It is not always possible to place tone holes in places that are comfortable to play with your fingers. For acoustic reasons, some tone holes on low instruments in particular are not ergonomically accessible. On these instruments, keys are fitted by the instrument maker to make playing much easier or even possible in the first place. The 1503-KUE instrument has the following keys: . This means that it can also be played comfortably by players with smaller hands. Tips on the way to a new recorder How to find a new instrument easily Inform yourself in detail! However, you should not let "generalised" rules stop you from playing a recorder yourself. Your musical perception is as unique as you are. Therefore, only you can decide for yourself which wind tunnel shape tempts you to "play endlessly". Our recommendation is therefore: Try unknown brands that you have not yet tested. You can only win.

The instrument with the article number: 2511-KUE from the Küng workshop is a recorder that is always fun to play, both in the classroom and on stage. This characteristic is due to the special marriage of the above-average construction concept in combination with the advantages of the pear wood material used. This material convinces with its unique advantages. The special properties can be characterised as follows, whereby it is in the nature of things that sounds can only ever be described very inadequately with words. For this reason, each person will perceive and describe the details of the typical material sound of recorders slightly differently: Pear: Soft, choral sound. Suitable for playing in a group. The scale The inner bore of the instrument is slightly cylindroconical. This type of bore gives the recorder its typical sound. In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than models with a narrower scale. Which musical styles can the instrument be used for Birnbaum is predestined for instruments that are used primarily for choral playing, recorder ensembles and orchestras, although other styles are possible. Who this instrument is aimed at This means that pearwood recorders are particularly suitable for ambitious amateurs and advanced players. Another basic rule to bear in mind is that a more sophisticated instrument generally makes learning less complicated than a seemingly inexpensive offering. The windway of the recorder The windway is the area in the head of the instrument where the musician's breath is moulded into a thin sheet of air. This sheet of air is the basis of a recorder's sound. The vibration that generates the flute sound is created from this sheet of air at the labium. The shape of the windway is therefore one of the defining characteristics for the musical formability of the recorder's achievable sounds. The windway of the Küng 2511-KUE recorder is shaped as follows: curved, conical.Conical windways accelerate the breath more than cylindrically shaped ones. Due to their geometric shape, windways are very complex and many parameters are influenced by each other. Fingering The Küng 2511-KUE recorder is made in the fingering: Baroque double hole. Construction method The construction of a recorder in terms of its multiple parts has a fundamental influence on the way in which the woodwind instrument is handled in terms of ease of grip and ease of transport. This is particularly important when larger instruments or several instruments need to be transported. Recorder orchestra leaders will agree with us. Packaging and accessories The model is supplied as standard with a case and matching accessories: Wiper rod, cork grease, fingering chart, care instructions Hygiene tips If the recorder is borrowed frequently, it is advisable to regularly disinfect the blowing area to keep it clean. Flautisept has proven to be a convenient but safe cleaning agent. Flautisept is available in our collection. It works with the following surfaces: Spirit-stained surfacesGlazed surfacesLinseed oil surfacesUntreated wood surfacesRESONALacquered surfacesABS plasticsWaxed surfaces However, before using the product, test it on an inconspicuous area to ensure that it does not cause any detrimental changes to your instrument. Optional information on keys It is not always possible to drill tone holes in places in the instrument body that are easy to play with your fingers. Particularly on larger instruments, some tone holes are ergonomically inaccessible for acoustic reasons. Keys are fitted to such instruments to make playing much easier or even possible in the first place. The 2511-KUE instrument has the following keys: 2-fold foot key. This means that it can also be played well by players with smaller hands. Advice for finding a new recorder How to easily find your next instrument Ask people you know! However, you shouldn't let well-meaning advice put you off trying out an instrument yourself. Your musical sensibilities are as unique as you are. Therefore, only you can decide which recorder appeals to you. Our recommendation is therefore: try out different models that you have never tried before. You can only gain new experiences.

The recorder with the model number: 2509-KUE from the Küng workshop is an instrument that is always fun to play. This special feature is largely due to the skilful composition of the pioneering model in combination with the advantages of the olive wood material used. This material fascinates with its special advantages. The special characteristics can best be described in the following words: Olive wood: Noble and full-bodied sound. The scale The inner bore of the recorder is slightly cylindroconical. This type of bore gives the instrument its typical sound. In principle, recorders with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than instruments with a narrower scale. Which musical styles are best suited to the recorder Olive wood is ideal for instruments that are used primarily for choral playing, recorder ensembles and orchestras, other styles are also possible. Who this recorder is aimed at This means that instruments made of olive wood are particularly suitable for ambitious amateurs and advanced players. Another rule to bear in mind is that a more sophisticated instrument will in most cases make learning less complicated than an instrument of inferior quality. The windway of the recorder The windway is the area in the head of the instrument where the musician's blowing air is moulded into an air blade. This air blade is one of the most important elements of a recorder's sound. In interaction with the labium, the air blade creates the vibration that generates the flute sound. The shape of the windway is therefore very relevant for the recorder's ability to create music. The windway of the Küng model 2509-KUE is constructed as follows: Curved, conical.Conical windways accelerate the breathing air more than cylindrically shaped ones. Windways are extremely complex in their geometric design and many parameters influence each other. Fingering The Küng 2509-KUE instrument is supplied in the following fingering: Baroque double hole. Multipart fingering The constructional design of a recorder in terms of multiple parts influences the way in which the woodwind instrument can be handled easily on the one hand and transported safely on the other during daily use. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments. Experienced ensemble players can tell you a thing or two about this. Packaging and accessories The recorder is supplied as standard with a case and the following accessories: Wiper stick, cork grease, fingering chart, care instructions Hygiene tips If the recorder is lent out frequently, it is advisable to sterilise the headjoint again and again to keep it clean. Flautisept has proven to be effective for this purpose. Flautisept is available in our collection. It works with the following surfaces: Untreated wooden surfacesLacquered surfacesLacquered surfacesLinseed oil surfacesSpirit-stained surfacesWaxed surfacesABS plasticsRESONA However, to be on the safe side, test the product on an inconspicuous area before use to ensure that it does not leave any unwanted marks on your recorder. Optional information on keys It is not always possible to drill tone holes in places in the body that are comfortable and easy to reach with your fingers. For acoustic reasons, tone holes on bass instruments in particular are not ergonomically accessible. Keys are fitted to these instruments to make playing much easier or even possible in the first place. The 2509-KUE instrument has the following keys: 2-fold foot key. This means that it can also be played ergonomically by players with smaller hands. Tips on the way to a new recorder The easiest way to find your next instrument Inform yourself in detail! Don't let "generally accepted" rules such as "recorder xy doesn't work at all in ensembles / for professionals" stop you from trying out an instrument yourself. Your musical sensitivity is as unique as you are. Therefore, only you can decide which instrument concept inspires you. Our recommendation is therefore: play unknown instruments that you may never have tried before. You can only win.