The instrument with the article number: 4511-MAR from Marsyas is a companion that makes music fun both in the classroom and on stage.
The instrument owes this mainly to the clever marriage of the ingenious model in symbiosis with the tone colours of the pear wood material used.
This material convinces with its typical advantages. The special features can be summarised as follows: Pear wood: Soft, choral sound. Suitable for playing in a group.
The scale
The inner bore of the recorder is slightly cylindroconical. This type of bore gives the instrument its typical sound.
In principle, recorders with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than instruments with a narrower inner bore.
What music is the recorder best suited to?
Pearwood is ideal for instruments that are used in ensembles, in choral playing and as a solo instrument.
Who is this instrument aimed at?
This means that pearwood instruments are particularly suitable for ambitious amateurs and advanced players. Another generally applicable rule of thumb is that a better instrument naturally makes learning progress easier than a supposedly cheaper one.
The windway of the recorder
The windway is the area in the head of the recorder where the musician's breath is moulded into a thin sheet of air. This sheet of air is the basis of the instrument's sound.
In interaction with the labium, the vibration that fundamentally generates the flute tone is created from this air blade. The shape of the windway is therefore
one of the defining characteristics
for the range of musical expressiveness of the recorder. The windway of the Marsyas 4511-MAR instrument is constructed as follows: Curved, conical.Conical windways accelerate the breathing air more than cylindrically shaped ones. Windways are very complex in their design and many parameters interact.
Fingering
The Marsyas 4511-MAR model is manufactured in the following fingering: Baroque double hole.
Construction of the body
The construction of a recorder has an extraordinary influence on the way in which it is used on a daily basis, on the one hand making it easy to hold and on the other hand enabling compact transport. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments.
Recorder choir directors know how useful good and compact recorder bags are. Provided the instruments can be easily disassembled.
Packaging and accessories
The instrument is supplied as standard with a case and the following accessories: Wiper rod, cork grease, fingering chart, care instructions
Hygiene tips
If the recorder is frequently lent out, we recommend that you repeatedly disinfect the windway to prevent the transmission of diseases.
Flautisept has proven to be a convenient but safe cleaning agent in such cases. You can find Flautisept in our collection.
It works with the following surfaces:
Spirit-stained surfaces, linseed oil surfaces, varnished surfaces, untreated wooden surfaces, RESONA, waxed surfaces, varnished surfaces, ABS plastics
However, to be on the safe side, test the product on an inconspicuous area before use to ensure that it does not leave any adverse effects on your recorder.
Optional information on keys
It is not always possible to place tone holes in places in the body that are easy and comfortable to play with your fingers. Particularly on low instruments, tone holes are not ergonomically accessible for acoustic reasons. Keys are fitted to these instruments to make playing much easier or even possible in the first place.
The 4511-MAR instrument has the following keys: . This makes it easy to play even for players with smaller hands.
Notes on finding a new instrument
How to find a new instrument easily
Find out all you can!
Under no circumstances should you let the opinions of "self-proclaimed experts" put you off testing a recorder yourself.
Your musical perception is as unique as you are. Therefore, only you can decide which recorder appeals to you personally. Our recommendation is therefore: try out new manufacturers that you may never have tried before.
You can only win.
The recorder with the model number: 4513-MAR from the Marsyas workshop is a companion that is always fun to play.
This characteristic is due to the special combination of the outstanding model in fine tuning with the sound characteristics of the boxwood material used.
This material fascinates with its special advantages. The special features can be characterised as follows: Boxwood: powerful, high-pitched sound.
The scale
The inner bore of the recorder is slightly cylindroconical. This type of bore gives the recorder its typical sound.
In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than models with a narrower inner bore.
For which music can the instrument be best used
Boxwood is particularly suitable for recorders that are used in ensembles, in choral playing and as a solo instrument.
Who is the instrument aimed at?
This means that boxwood instruments are particularly suitable for ambitious amateurs and advanced players. Another important rule of thumb is that a high-quality instrument usually makes learning easier than an inexpensive one.
The windway of a recorder
The windway is the area in the instrument headjoint where the blowing air is moulded into a sheet of air. This air blade is the central starting point for the sound production of the instrument.
In interaction with the labium, the air blade creates the fundamental vibration that generates the flute sound. The shape of the windway is therefore
one of the fundamental features
for the musical formability of the achievable sounds of the recorder. The windway of the Marsyas model 4513-MAR is constructed as follows: Curved, conical.Conical windways accelerate the air blade more than cylindrically shaped ones. Windways are naturally complex in their geometric design and many parameters influence each other.
Fingering
The Marsyas 4513-MAR recorder is made in the fingering: Baroque double hole.
Construction method
The construction of a recorder in terms of its multiple parts influences in many ways the way in which it is used on a daily basis, both in terms of ease of handling and safe transport. This is particularly important when transporting larger or multiple instruments.
Experienced ensemble players can tell you a thing or two about this.
Packaging and accessories
The model is supplied as standard with a case and the following accessories: Wiper rod, cork grease, fingering chart, care instructions
Hygiene tips
If the recorder is rented out frequently, it is advisable to clean the blowing area regularly to protect yourself.
Flautisept has proven to be a convenient but safe cleaning agent. You can find Flautisept in our collection.
It works with the following surfaces:
Glazed surfaces, ABS plastics, Untreated wooden surfaces, Waxed surfaces, RESONA, Linseed oil surfaces, Spirit-stained surfaces, Lacquered surfaces
However, it is essential that you test on an inconspicuous area before use to ensure that the product does not cause any discolouration on your instrument.
Optional information on keys
It is not always possible to place tone holes in places in the body that are easy to play with your fingers. Especially on larger instruments, some tone holes are not ergonomically accessible for acoustic reasons. On such instruments, keys are fitted by the instrument maker to make playing much easier or even possible in the first place.
The 4513-MAR instrument has the following keys: . This means that it can also be played comfortably by players with smaller hands.
Notes on the way to a new recorder
The easiest way to find your next instrument
Ask people you know!
But don't let "expert" opinions put you off playing a recorder yourself.
Your taste is as unique as you are. Therefore, only you can decide which instrument concept inspires you. Our recommendation is therefore: try out different manufacturers that you have never tested before.
You can only win.
The instrument with the model designation: 4504-MAR, manufactured by Marsyas, is an instrument that is always fun to play in everyday use.
The instrument owes this special feature mainly to the special marriage of the above-average instrument model in combination with the advantages of the plum wood (Prunus) material used.
The material used for this instrument is characterised by its typical qualities. The special properties can be characterised as follows: Prunus, plum, damson: Overtone-rich, slightly nasal sound. Goes very well with singing voices.
The scale
The geometry of the inner bore of the instrument is slightly cylindroconical. This type of bore gives the instrument its typical sound.
In principle, recorders with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than instruments with a narrower scale.
What music can the recorder be used for
Plum wood (Prunus) is particularly suitable for instruments that are used in ensembles, in choral playing and as a solo instrument.
Who is this instrument aimed at?
It follows that instruments made from plum wood (Prunus) are particularly suitable for ambitious amateurs and advanced players. An additional basic rule to bear in mind is that a higher-quality instrument naturally makes music-making less complicated than a simple one.
The windway of the recorder
The windway is the area in the instrument headjoint where the musician's breath is moulded into a thin sheet of air. This sheet of air is the basis of the instrument's sound production.
In interaction with the labium, the air blade creates the vibration that generates the flute sound. The shape of the windway is therefore
one of the defining principles
for the range of artistic applications of the recorder. The windway of the Marsyas 4504-MAR recorder is constructed as follows: Curved, conical.Conical windways accelerate the airflow more than cylindrically shaped ones. Windways are of course extremely complex in their design and many parameters are influenced by each other.
Fingering
The Marsyas 4504-MAR recorder is offered in the following fingering: Baroque double hole.
Construction of the body
The construction of a recorder fundamentally determines the way in which it can be used, on the one hand, to ensure uncomplicated handling in terms of ease of grip and, on the other hand, to ensure comfortable transport. This is particularly important when larger instruments or several instruments are to be taken along.
Recorder ensemble leaders will agree with us.
Packaging and accessories
The recorder is supplied as standard with a case and useful accessories: Wiper rod, cork grease, fingering chart, care instructions
Hygiene tips
If the instrument is lent out from time to time, we recommend that you sterilise the windway at regular intervals to ensure that it is hygienically safe.
Flautisept has proven to be a reliable aid here. Flautisept is available in our collection.
It works with the following surfaces:
ABS plasticsLacquered surfacesLinseed oil surfacesRESONAWaxed surfacesUntreated wood surfacesSpirit-stained surfacesGlazed surfaces
However, to be on the safe side, test on an inconspicuous area before use to ensure that the product does not leave any adverse effects on your instrument.
Optional information on keys
It is not always possible to drill tone holes in places that are comfortable and easy to reach with your fingers. Especially on bass instruments, tone holes are not ergonomically accessible for acoustic reasons. Keys are fitted to these instruments to make playing easier or even possible in the first place.
The 4504-MAR instrument has the following keys: . This means that it can also be played ergonomically by players with smaller hands.
Advice on finding a new instrument
The easiest way to find your new instrument
Inform yourself in detail!
Don't let "generally accepted" rules such as "recorder xy doesn't work at all in ensembles / for professionals" stop you from testing a recorder yourself.
Your musical sensitivity is as unique as you are. Therefore, only you can decide which wind tunnel shape suits you best. Our recommendation is therefore: play different manufacturers that you have not yet tried out.
You can only win.
The recorder with the model number: 4506-MAR made by Marsyas is an instrument that is always fun to play.
This characteristic is largely due to the special combination of the outstanding instrument model in fine tuning with the tone colours of the rosewood material used.
The special qualities of the material used for this instrument are particularly impressive. The special features can be characterised as follows, whereby it is in the nature of things that sounds can only ever be inadequately described in words. This is why the sound of recorders is perceived and described in slightly different ways by each person: Rosewood: Very noble, pithy sound.
The scale
The geometry of the inner bore of the instrument is slightly cylindroconical. This type of bore gives the model its typical sound.
In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than recorders with a narrower scale.
Which musical styles can the recorder be used for?
Rosewood is predestined for instruments that are used in ensembles, in choral playing and as a solo instrument.
Who is this instrument aimed at?
It follows from this that rosewood recorders are particularly suitable for ambitious amateurs and advanced players. Another rule of thumb to bear in mind is that a better instrument will in most cases make playing more enjoyable than a seemingly inexpensive bargain.
The windway of a recorder
The windway is the area in the head of the recorder where the air is moulded into a thin sheet of air. This air blade is the nucleus of a recorder's sound production.
In interaction with the labium, the air blade creates the vibration that generates the flute sound. The shape of the windway is therefore
very relevant
for the variability of the instrument's musical expression. The windway of the Marsyas 4506-MAR recorder is shaped as follows: curved, conical.Conical windways accelerate the breath more than cylindrical ones. Due to their geometric shape, windways are extremely complex and many parameters influence each other.
Fingering
The Marsyas 4506-MAR instrument is made in the following fingering: Baroque double hole.
Construction method
The construction of a woodwind instrument is characterised in many ways by the way in which the recorder can ensure uncomplicated handling in terms of ease of grip on the one hand and compact transport on the other. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments.
Experienced ensemble players can tell you a thing or two about this.
Packaging and accessories
The recorder is supplied as standard with a case and the following accessories: Wiper rod, cork grease, fingering chart, care instructions
Hygiene tips
If the recorder is shared, you should consider sterilising the windway if necessary to ensure hygienic safety.
The care product Flautisept has proven its worth in such cases. Flautisept is available in our collection.
It works with the following surfaces:
Lacquered surfaces, ABS plastics, Untreated wooden surfaces, Spirit-stained surfaces, Waxed surfaces, Linseed oil surfaces, RESONA, Glazed surfaces
However, it is essential that you test the product on an inconspicuous area before use to ensure that it does not leave any unwanted marks on your recorder.
Optional information on keys
It is not always possible to drill tone holes in places that are easy to reach with your fingers. Especially on larger instruments, some tone holes are ergonomically inaccessible for acoustic reasons. On these instruments, keys are fitted by the instrument maker to make playing much easier or even possible in the first place.
The 4506-MAR instrument has the following keys: . This means that it can also be played by players with smaller hands.
Advice on the way to a new recorder
How to find your future instrument
Inform yourself in detail!
However, under no circumstances should you be put off trying out a recorder for yourself by "generally applicable" rules such as "manufacturer xy doesn't work at all in ensembles / for professionals".
Your musical perception is as unique as you are. Therefore, only you can decide for yourself which construction method tempts you to "play endlessly". Our recommendation is therefore: play different models that you may not have tried before.
You can only gain experience.
The recorder with the article number: 4509-MAR made by Marsyas is a companion that makes music fun both in the classroom and on stage.
The instrument owes this characteristic mainly to the special combination of the particular model in fine tuning with the tone colours of the olive wood material used.
This material makes a strikingly pleasant impression on the instrument thanks to its extraordinary advantages. The characteristics can be described as follows: Olive wood: Noble and full-bodied sound.
The scale
The geometry of the inner bore of the recorder is slightly cylindroconical. This type of bore gives the model its typical sound.
In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than recorders with a narrower inner bore.
Which musical styles can the recorder be used for?
Olive wood is particularly suitable for recorders that are used in ensembles, in choral playing and as a solo instrument.
Who is the instrument aimed at?
The above facts show that instruments made of olive wood are particularly suitable for ambitious amateurs and advanced players. Another important rule of thumb is that a higher-quality instrument will in most cases make learning progress more enriching than a seemingly inexpensive bargain.
The windway of a recorder
The windway is the area in the head of the recorder where the blowing air is moulded into a sheet of air. This air blade is the determining element in the sound production of a recorder.
In interaction with the labium, this air blade creates the vibration that generates the flute sound. The shape of the windway is therefore
one of the fundamental features
for the musical formability of the achievable sounds of the recorder. The windway of the Marsyas 4509-MAR instrument is shaped as follows: curved, conical.Conically shaped windways accelerate the air blade more than cylindrical ones. Windways are complex in their geometric shape and many parameters influence each other.
Fingering
The Marsyas 4509-MAR model is offered in the following fingering: Baroque double hole.
Construction method
The construction of a woodwind instrument with multiple parts has a strong influence on the way in which the recorder can be handled easily and transported compactly during daily use. This is particularly important when larger instruments or several instruments need to be transported.
Experienced ensemble players can tell you a thing or two about this.
Packaging and accessories
The model is supplied as standard with a case and the following accessories: Wiper rod, cork grease, fingering chart, care instructions
Hygiene tips
If the instrument is shared, it is advisable to clean the blowing area sterilely if necessary to prevent the transmission of diseases.
The care product Flautisept has proven its worth here. You can find Flautisept in our collection.
It works with the following surfaces:
Spirit-stained surfaces, untreated wooden surfaces, varnished surfaces, RESONA, glazed surfaces, waxed surfaces, linseed oil surfaces, ABS plastics
However, before use, test on an inconspicuous area to ensure that Fautisept does not cause any adverse changes to your recorder.
Optional information on keys
It is not always possible to place tone holes in places in the instrument body that are easy to reach with the fingers. For acoustic reasons, some tone holes on bass instruments in particular are not ergonomically accessible. Keys are fitted to these instruments to make playing much easier or even possible in the first place.
The 4509-MAR instrument has the following keys: . This means that it can also be played ergonomically by players with smaller hands.
Advice on the way to a new recorder
The easiest way to find your future instrument
Ask people you know!
However, don't let "generally accepted" rules such as "brand xy doesn't work at all in ensembles / for professionals" stop you from trying out a recorder yourself.
Your musical sensitivity is as unique as you are. Therefore, only you can decide for yourself which recorder tempts you personally to "endless music-making". Our recommendation is therefore: test different construction concepts that you may not have tried before.
You can only win.
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