Küng, 2-piece stand (optional with peg for garklein to tenor) Some words about the Küng, 2-piece stand (optional with peg for garklein to tenor) You have an apartment. And in it, you have created a place where you feel particularly comfortable and safe. And that's a good thing.Have you done the same for your recorders?Recorders feel comfortable and safe on this stand.Your treasures should be worth it to you.Order the stand today, and in a few days your home will be even more recorder-friendly.

 Küng, 5-piece stand (optional with peg for garklein to tenor). Some words about the Küng, 5-piece stand (optional with peg for garklein to tenor). You have an apartment. And in it, you have created a place where you feel particularly comfortable and safe. And that's a good thing.Have you done the same for your recorders?Recorders feel comfortable and safe on this stand.Your treasures should be worth it to you.Order the stand today, and in a few days your home will be even more recorder-friendly.

 Küng, pedestal subbass, suitable for the series ""SUPERIO Some words about the Küng, pedestal subbass, suitable for the series ""SUPERIO For playing, many players like to put the Kueng Superio Subbass on a small pedestal. This makes it possible to hold the right hand a little higherThe small pedestal is well suited for this purpose.Please note, however, that the instrument cannot stand alone on the pedestal. You must always hold it. The pedestal is not a stand.For this purpose, there is the 9835-KUE which combines the functions of stand and playing platform.

 Küng, stand great bass, suitable for the series ""SUPERIO Some words about the Küng, stand great bass, suitable for the series ""SUPERIO You have an apartment. And in it, you have created a place where you feel particularly comfortable and safe. And that's a good thing.Have you done the same for your recorders?Recorders feel comfortable and safe on this stand.Your treasures should be worth it to you.Order the stand today, and in a few days your home will be even more recorder-friendly.

 Moeck, Wooden stand for sopranino to bass Some words about the Moeck, Wooden stand for sopranino to bass You have an apartment. And in it, you have created a place where you feel particularly comfortable and safe. And that's a good thing.Have you done the same for your recorders?Recorders feel comfortable and safe on this stand.Your treasures should be worth it to you.Order the stand today, and in a few days your home will be even more recorder-friendly.

 Paetzold by Kunath Greatbass, RESONA Baroque Doublehole, Item: 25-SL-PBK Special painting, 442 Hz The Greatbass recorder with the model number: 25-SL-PBK manufactured by Paetzold by Kunath is a companion, the in playing new will make joy. This circumstance is due to the clever merging of the special composition in fusion with the sound of the material RESONA. This material creates in the instrument a conspicuous sound, by the own special qualities. The characteristics can described as follows: inadequately with words. Therefore the material typical sound of recorders is perceived and described by each person in details slightly differently. We use these words: RESONA: Full and clear sound The bore The geometry of the inner bore of the instrument is light cylindroconical. This kind of bore shape grants the recorder such a typical sound. In principle, instruments with wider bore sound warmer, fuller, more fundamental and thus more suitable for ensembles than models with narrower scale. For what styles can the recorder best be used for? RESONA is particularly for instruments used for: All styles. To whom is this recorder addressed? This means that recorders made of RESONA are especially for Students, Professional Players recommendable. An additional to be heeded rule is that a quality instrument makes the learning progress as enriching at first glance low-cost offer. The windway of the recorder The windway is the area in the head of the recorder where the breath of the musician is formed into a sheet of air. This air leaf is the central starting point of the sound of the recorder. At the labium, the air stream is very quickly alternately directed inwards and outwards. This swinging flow stimulates the air in the bore. And this is the origin of the recorder tone. This is the reason why the labium must not be damaged in any case. The same applies to the windway. Otherwise suffer the musical shaping ability of the attainable sounds of the recorder. The windway of the model 25-SL-PBK of Paetzold by Kunath has this windway shape: Straight, conical. Conical windways accelerate the air leaf more than cylindrical shaped windways. Never underestimate windway and labium! Their meaning for the sound is exceedingly complex in their design. Even minor damages here often lead to a total loss! Fingerings The model Paetzold by Kunath 25-SL-PBK is delivered in the following version: Baroque Doublehole . Construction The method of construction a recorder influences strongly the way with which it in use on the one hand is simple to handle in terms of easy gripping and on the other hand for the convenient transport. A point that becomes especially important when larger or multiple instruments have. {Experienced ensemble players can tell you a thing or two about this. Or ask leaders of recorder ensembles. Leaders of recorder choirs know how useful good and compact recorder cases are. Packaging and accessories The instrument is supplied as standard with: The following accessories included: Cork grease, care instructions, fingering chart Recommendations before getting a new recorder Get expert advice! The search for your new recorder should never be influenced by the opinions of "self-proclaimed experts". Get your own realizations after trying an instrument. Don't let "well-meaning" advice. Do not let others stop you from trying of an yet unknown instrument. Your musical taste is as individual as you are. Therefore, only you can decide which recorder will personally touch. Our recommendation is therefore: Test new manufacturers! After that you will be amazed and can make a confident decision. Information about instruments with keys Not always can the tone holes be placed in places in the instrument that are pleasant and easy to reach with the fingers. Especially with deep recorders sit for acoustic necessities certain tone holes ergonomically not to reach. On such instruments, by the instrument maker keys are added, which make gripping significantly easier, or possible in the first place. This allows it to be {pleasant|light|ergonomic|conspicuous|above average| good play even by players with smaller hands. The instrument 25-SL-PBK has the following flaps: Full fold (Paetzold by Kunath)

 Paetzold by Kunath, Cross stand for basset recorder Some words about the Paetzold by Kunath, Cross stand for basset recorder The cross stand for Paetzold recorders of the MASTER series is made of two sturdy birch plywood boards. The dampers protect the instruments from damage. The instruments are inserted into the cross stands with the foot part facing downwards. To use the stand, the two plates are simply plugged together. For the uncomplicated transport only one handle is necessary. In no time at all, the two plates are stowed away to save space. If you use a telescopic spindle leg on your instrument, it must be removed from the instrument before placing it in a cross stand. This stand can be used for instruments with the original HP headpiece and/or with ""Direct-Blow"" head.

 Paetzold by Kunath, cross stand for contra bass, black lacquered, birch plywood Some words about the Paetzold by Kunath, cross stand for contra bass, black lacquered, birch plywood The cross stand for Paetzold recorders of the MASTER series is made of two sturdy birch plywood boards. The dampers protect the instruments from damage. The instruments are inserted into the cross stands with the foot part facing downwards. To use the stand, the two plates are simply plugged together. For the uncomplicated transport only one handle is necessary. In no time at all, the two plates are stowed away to save space. If you use a telescopic spindle leg on your instrument, it must be removed from the instrument before placing it in a cross stand. This stand can be used for instruments with the original HP headpiece and/or with ""Direct-Blow"" head.

 Paetzold by Kunath, Cross stand for contra bass, natural finish, birch plywood Some words about the Paetzold by Kunath, Cross stand for contra bass, natural finish, birch plywood The cross stand for Paetzold recorders of the MASTER series is made of two sturdy birch plywood boards. The dampers protect the instruments from damage. The instruments are inserted into the cross stands with the foot part facing downwards. To use the stand, the two plates are simply plugged together. For the uncomplicated transport only one handle is necessary. In no time at all, the two plates are stowed away to save space. If you use a telescopic spindle leg on your instrument, it must be removed from the instrument before placing it in a cross stand. This stand can be used for instruments with the original HP headpiece and/or with ""Direct-Blow"" head.

 Paetzold by Kunath, cross stand for great bass recorder, birch plywood Some words about the Paetzold by Kunath, cross stand for great bass recorder, birch plywood The cross stand for Paetzold recorders of the MASTER series is made of two sturdy birch plywood boards. The dampers protect the instruments from damage. The instruments are inserted into the cross stands with the foot part facing downwards. To use the stand, the two plates are simply plugged together. For the uncomplicated transport only one handle is necessary. In no time at all, the two plates are stowed away to save space. If you use a telescopic spindle leg on your instrument, it must be removed from the instrument before placing it in a cross stand. This stand can be used for instruments with the original HP headpiece and/or with ""Direct-Blow"" head.

 Paetzold by Kunath, Cross stand for great bass recorder, black lacquered, birch plywood Some words about the Paetzold by Kunath, Cross stand for great bass recorder, black lacquered, birch plywood The cross stand for Paetzold recorders of the MASTER series is made of two sturdy birch plywood boards. The dampers protect the instruments from damage. The instruments are inserted into the cross stands with the foot part facing downwards. To use the stand, the two plates are simply plugged together. For the uncomplicated transport only one handle is necessary. In no time at all, the two plates are stowed away to save space. If you use a telescopic spindle leg on your instrument, it must be removed from the instrument before placing it in a cross stand. This stand can be used for instruments with the original HP headpiece and/or with ""Direct-Blow"" head.

 Paetzold by Kunath, cross stand for SOLO great bass recorder, black, POM. for SOLO series Some words about the Paetzold by Kunath, cross stand for SOLO great bass recorder, black, POM. for SOLO series The cross stand for Paetzold recorders of the SOLO series consists of two stable and break-proof plastic plates. The rubber rollers protect the instruments from damage. The instruments are inserted into the cross stands with the foot part facing downwards. To use the stand, the two plates are simply plugged together. For the uncomplicated transport only one handle is necessary. In no time at all, the two plates are stowed away to save space. If you use a telescopic spiked leg on your instrument, it must be removed from the instrument before placing it in a cross stand. This stand can be used for instruments with the original HP headpiece and/or with ""Direct-Blow"" head.

 Paetzold by Kunath, cross stand for sub great bass, natural finish, birch plywood Some words about the Paetzold by Kunath, cross stand for sub great bass, natural finish, birch plywood The cross stand for Paetzold recorders of the MASTER series is made of two sturdy birch plywood boards. The dampers protect the instruments from damage. The instruments are inserted into the cross stands with the foot part facing downwards. To use the stand, the two plates are simply plugged together. For the uncomplicated transport only one handle is necessary. In no time at all, the two plates are stowed away to save space. If you use a telescopic spindle leg on your instrument, it must be removed from the instrument before placing it in a cross stand. This stand can be used for instruments with the original HP headpiece and/or with ""Direct-Blow"" head.

 Paetzold by Kunath, cross stand for sub greatbass, black lacquered, birch plywood Some words about the Paetzold by Kunath, cross stand for sub greatbass, black lacquered, birch plywood The cross stand for Paetzold recorders of the MASTER series is made of two sturdy birch plywood boards. The dampers protect the instruments from damage. The instruments are inserted into the cross stands with the foot part facing downwards. To use the stand, the two plates are simply plugged together. For the uncomplicated transport only one handle is necessary. In no time at all, the two plates are stowed away to save space. If you use a telescopic spindle leg on your instrument, it must be removed from the instrument before placing it in a cross stand. This stand can be used for instruments with the original HP headpiece and/or with ""Direct-Blow"" head.

 Paetzold by Kunath, cross stand, black lacquered, for basset recorder Some words about the Paetzold by Kunath, cross stand, black lacquered, for basset recorder The cross stand for Paetzold recorders of the MASTER series is made of two sturdy birch plywood boards. The dampers protect the instruments from damage. The instruments are inserted into the cross stands with the foot part facing downwards. To use the stand, the two plates are simply plugged together. For the uncomplicated transport only one handle is necessary. In no time at all, the two plates are stowed away to save space. If you use a telescopic spindle leg on your instrument, it must be removed from the instrument before placing it in a cross stand. This stand can be used for instruments with the original HP headpiece and/or with Direct-Blow head.

 Paetzold by Kunath, head cross stand for great bass recorder birch plywood Some words about the Paetzold by Kunath, head cross stand for great bass recorder birch plywood The head cross stand for Paetzold recorders of the MASTER series consists of two stable and birch plywood plates. The dampers protect the instruments from damage. The instruments are inserted into the cross stands with the head part facing down. To use the stand, the two plates are simply plugged together. A single handle is required for uncomplicated transport. In no time at all, the two plates are stowed away to save space. If you use a telescopic spiked leg on your instrument, it can remain mounted on the instrument and does not need to be removed from the instrument before placing it in the head cross stand. This stand is for instruments with the original HP headstock. This is the design that Herbert Paetzold developed.For instrument with ""Direct-Blow"" head you need the model with the addition ""DB"" in the part number.